Archive

Timing and distance…glimpses of the system.

Treading through with a cut to the head, a beautiful, if violent moment.

Originally this dvd was going to go from second ward and onwards from there, but in the end, we decided, to carry one more or less precisely where we left off in “Fencing with the Sword and Buckler”(now called “Intent”).

So in this dvd, you have a lot clearer explanations of the actions and the timing and distance that each technique should utilize. then we look at the tactical application of first, taking the initiative away from half shield and looking at your options to counter it.

From there we move onto second ward, again looking at the correct applications of timing and distance, and of course the ever important 3Ps…(more info on 2nd in the dvd over the next week).

this is only some of the content, over the next week or so we will be telling you more….

Dave

Ramblings from the Forge…Magnus speaks…

We are very pleased that Magnus Sigurdson the armourer and swordsmith for films, such as The Lord of the Rings, Kill Bill and Prince Caspian, has kindly agreed to write a few articles for us. The first of which you can read below. Magnus’s body of work is extensive and his impressive biog will follow soon, welcome to the page Magnus…

The medieval sword

People often try to compare new production swords to original medieval pieces. Without understanding, that the original process of forging a sword blade, was a lot more complicated than you would think, these processes lead to some unique characteristics that are incredibly hard to reproduce, unless you are using the same techniques as the original master craftsman.

Very few original high-quality swords were actually forced from a single piece of steel during the medieval time period. This early medieval period (or dark ages), was the time of the pattern welded blade. a blade who’s manufacture, involved a process, where:

  • Numerous iron and steel bars, are twisted together and forged solid.
  • Several of these are placed together side by side, and again forge welded together.
  • A straight laminate of high carbon steel strips is again forge welded along the outer edge (this forms the cutting part of the blade).
  • Traditionally, the blade is then given a groove on either side called a fuller* and heat-treated to harden the steel parts of the blade**

The iron and steel twisted core gives the swords their resilience to the shock and stress of combat, while the high carbon steel, hardened cutting portion of the blade, takes and hold a good cutting edge .

Later medieval swords

As steel production was refined, larger amounts of high-quality steel became available, this made the pattern welded blade almost redundant (there are 16century examples of pattern welded swords).However many quality blades still consisted of a laminate construction of iron and steel, with soft iron core shrouded in a steel envelope (the Mary Rose sword for example, has a soft iron/ low carbon steel core, with two hard steel cutting edges).

The ancient armourer tried many variations on the laminar constructions, some good and some not so good! And in fact, the whole process of forging a blade during the medieval period could be a little hit and miss, this was mainly due to the inconsistencies in the steel the armourer the had to work with.

Unlike today’s homogeneous product, medieval steel’s composition was not uniform, It was down to the armourer’s ability to and gauge the quality of the steel, and adjust the carbon content as he felt necessary in the forge, and sometimes to disperse that carbon content more evenly along the blade.

The medieval sword has a varying carbon content along its entire blade, along with a varying edge profile. A skilled armourer would adjust this so that the sword is hard in areas it needs needs to be hard, and soft in areas that need to take more bangs and crashes.

The blade profile

This could be be altered to suit different areas of the sword, and their differing functions. The tempering process at the time, was called slacked tempering, and was done entirely eye and experience, it composed of one or more” dunks” in to the quenching medium. This, with the varying carbon content in the blade, made a harder and soft areas along the swords entire length. and is where the expression “make or break” comes from (The sword, when given its final quench will either hold together and be a success or break depending upon the armourer’s skill in its forging).

modern machine made blades

Machined as they are from a single piece of homogeneous steel, tempered using highly specialized controlled ovens and quenched in substances that are well below 0°C, have very little in common with the medieval blade. That said, most correctly made modern blades are more than a match for the medieval one in toughness and homogeneous integrity, they are just not the same as one, or made in the original fashion.

How Sharp?

People often ask, how sharp was a medieval sword? Again, there is no simple answer to this, as swords were given different profiles along their edge, to suit the job they were intended to do. Some swords were primarily for cutting, some for thrusting, and some a little of both. Cutting swords were obviously sharper than thrusting swords. The type of target, they were meant to be used against would determined the edge profile. Swords that were civilian dress could have a finer taper to their edge than swords that were likely to encounter armour of some kind, these needed a lot more steel supporting the cutting edge, so it did not chip or fold up on hitting a target, with some resistance.

So how sharp was a medieval sword? As sharp as it needed to be, for the job in hand!

Magnus Sigurdson

*the fuller, is actually there to lighten the blade but still keep its rigidity, not to act as a blood gutter!

**iron, cannot be hardened by heat treatment

Magnus Sigurdson

Albion swords…


The Albion Maestro line I.33

With the imminent release of “Timing and distance” we’d like to take the time to thank some of the people who made the new dvd possible.

First of all, Albion Europe, for the generous use of their single handed maestro line, I.33 swords.

As you will will be able to see in the dvd we give them a fair old working out (not to mention the bashing about they got in the month or two prior to the shoot and re shoot).

If you’ve been hoping to see these in action, either wait for the short video spoilers to come, or purchase the DVD.

needless to say, we are pretty happy with them, they move plenty fast enough, but have enough weight to feel real and effective. There will be a more detailed review, in the Things we like section (coming soon) plus some pics of the damage (or rather the lack of) that they received in the months running up to the shoot.

We will, if any other U.K fightschools wish to try them, be passing them around, thanks again Albion and Soren for the use of these sturdy, yet well balanced pieces.

Congratulations Pete Maydon 2008 Longsword champion

Pete disguises himself to avoid the adoring masses.

In case you haven’t heard, Pete Maydon claimed the victors crown in this years Taille et d’Estoc longsword tournament held in Dijon.

Having spoken to number one son, he assures me it was (despite Mr Maydon’s surprise in his own skills) a very well earned win. And it couldn’t o happened to a nicer person.

Well done Pete! we are all (both Boar’s Tooth, and Schola), very proud of you matey.

M.P.P or the rule of three P’s(the benefit of hindsight)

…One of the core principals we go into on the dvd “Timing and Distance” is the m.p.p, which gave rise to one of those ooooh should of called it that instead moments:)

as said in the dvd, the principle is a rule of three distances, magic, so called because at this distance most things work like magic, potential, and perceived.

of course as soon as we put it on film, it occurred to me, it should be the rule of three P’s

Perfect, potential, and percieved.

It makes no difference to the techniques shown, but as a mnemonic, it is much easier to remember.

this is a very core principal we use to aid understanding of the art, and applies to all bladed weapons, we hope you will find it helpful in your training.

M.P.P or P.P.P the principal is the same.

We think you’ll like it a lot.

Countdown to “Sword and buckler part II, I.33, Timing and Distance”.

warming up a few weeks before the shoot

Dave and Pete, warming up a couple of weeks before the shoot.

It’s been a long time coming, after one shoot where, sadly the film stock was faulty. We have re shot the second part of our series on sword fighting within the Lutegerus(I.33) system.

There have been a couple of format improvements, but we have stuck with the “talking to you” interactive approach, rather than the impersonal voice over.

Editing should start very soon, and our hope is this dvd, (in conjunction with I.33 part I, Intention”, will help make clear the simplicity and practicality of the lutegerus system of swordfighting.

keep watching for updates…

…Heart Of London…Boar’s In The Barbican…

Monday April 7Th 2008

Boar’s Tooth Heart O London

is opening a regular class, in the Golden Lanes Leisure Centre, in the Barbican, offering the highest level of instruction. The best place to learn swordfighting in the heart of the city.

Only 2 minutes from Barbican tube station and very close to the Museum of london

London’s Most Central Fightschool,

class size, of course, will be limited to ten.

To book a place, call

0770 963 9881

Warming Up…

Just a little taster, Dave and Pete polish up their sword,buckler

and longsword work for the latest Boar’s Tooth sword fighting DVDS

We have some other very nice shots but as they apply to specifics in the DVDS

we are keeping them under our hats for now;)

In the meantime We hope you’ll enjoy these sparring shots.

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As much as we enjoyed taking them.

New chapters & a new page…

Two new big developments, firstly we are glad to announce a:

!!NEW SCHOOL!!

STARTING 5TH MARCH 2008

EVERY WEDNESDAY & FRIDAY

THE COLOMBO CENTRE

Right next to Southwark tube station, and within walking distance of Blackfriars, London Bridge and waterloo Stations, this is the first of the regular inner London classes.

It will cover both longsword and sword and buckler.

We are very pleased with the access this gym has, so close to so many stations, the classes will as usual be limited to ten.

…………………………………………..

AND

!!COMING APRIL!!

BOAR’S TOOTH, HEART OF LONDON

THE FIGHTSCHOOL FOR THE LONDON MILE

The super secret school, in the mile is coming, regular tuition of the highest standard, right in the heart of the city, watch this space for an imminent announcement.

So if you want to learn sword fighting…Fight medieval.

contact us for further details

Both of these schools can be found on the new find a fightschool page, hope you can join us, Dave.

One Of Seven…

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The Boar’s Tooth is one of seven European HEMA groups featured in the up coming Galatia film Reclaiming the Blade,

The film looks at many aspects of the sword arts, from stage and screen combat, to the re- emergent martial traditions (that’s us).

The aim of the film is not purely to illustrate the warrior aspect of swordplay, but also to remind us of the escapist stylings of films such as star wars, the princess bride and the like, and how they, though maybe not such martially correct sword fighting stylings, inspired so many of us early in life to pick up sticks and go at it like pirates, jedi and ninjas.

Setting us on the path to learn.

We are grateful that the folk at Galatia took the time, to involve groups such as ours, and gave us an opportunity in a time of such negative publicity for the sword arts, to show a disciplined and noble art re-emergent.