Author Archive for Boarstooth

Dave Rawlings Featured in Martial Arts Illustrated

This is the first piece we did for M.A.I.

After going into it you notice things you’d like to have tidied (the displaced thrust to Pete’s face should have an extra shot showing it online first, which we didn’t take, that sort of thing).

However, It’s the first time that the early medieval martial arts have been featured in a UK, mainly Eastern martial arts magazine, so it’s a step in the right direction..and let’s face it, the whole world needs to learn about western swordfighting:)

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Dave Rawlings in Martial Arts Illustrated

Liechtenauer: Longsword 3

1. Dave performs a winding against Matt’s sword.

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1. Dave strikes a ‘Parter’. Matt blocks ‘Kron’.

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2. Dave is not trying to hump Matt’s leg…

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3. …he is in fact, running in to throw Matt over his leg. Note the sword still covers.

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1. Dave cuts Parter. Matt displaces to his own high right.

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2. Dave drops his point and cuts under the hands.

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Now this Gentle Folk, is a castle.

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This is going through the roses (with a castle) and a hill fort.

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Liechtenauer: Longsword 2

A Fiore technique courtsey of Matt Easton, Schola Gladiatoria.You can find more of these pictures on his web site.

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1. Dave cuts up with the false edge from Nebenhut and, feeling Matt is about to wind…

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2. …steps off cutting with outstreached arms.

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1. Again from Nebenhut,

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2. Dave, feeling Matt’s pressure is high and outward…

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3. thinks ’sod it’ and changes through, cutting Matt under the hand. From here he’ll stab Matt in the chest. This is similar to bandying through, but isn’t.

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1. Dave, using the BIG sword winds against Matt’s not-so-mighty-weapon and thrusts to the face.

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2. Matt performing a change-through strikey deflection thingy

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3. But he’ll probably say that an Italian invented it.

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4. And he says this isn’t a zwerchau…ha!

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5. Well this B****Y well is.

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When cameramen get in the way…

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Liechtenauer: Longsword 1

Please note that these techniques are only some of the possible interpretations.

Dave stands in vom tag, Chris in posta di donna.

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Chris strikes zornhau, Dave counters with the same.

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Dave slides up to the weak…

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…and thrusts

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Dave thrusts to Chris’s face

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Chris displaces with hands high
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Dave winds and thrusts to the lower opening
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Ringecks sword capture

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Sword & Buckler: Hitting Nick

I stand buckler forward sword across my forearm.

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He enters with a stab or cut which I redirect past my line to my right

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then grip his blade with my left hand

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and bring the whole thing sharply to my left

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taking his sword and hitting him with my counter.

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Sword & Buckler: End of Point

This shows long point menace…


Here I grab his blade, and enter with a thrust from the left hand.


He prevents the same move by smashing me in the hand with his buckler,

I let go of the sword, grab his buckler and twist sharply…

then, as they say, he is geography.
(I’d like to thank masters Ringeck, Tobler, and Pratchett for that last bit).

This time Nick has bound down the longpoint

and attempts a shield knock and enter…

I stay with the bind, beat back against his shield knock,

throw my right elbow over both his arms.

After a bit of a tussle he drops his weapons and gives a kick to me arse,

I spin around and give him the point.

Sword & Buckler: Second Ward

This is the counter-ward to the second ward
My counter-ward to the second ward

This time I move to his right to blind-side him,

I move to his right to blind-side him

and if he does nothing enter with the cut.

If he does nothing enter with the cut

Seeing this coming he slams his sword at my head

He slams his sword at my head

which is covered by the ward.

which is covered by the ward.

I swap my sword for my buckler…

I swap my sword for my buckler…

and step through with my cut.

And step through with my cut.

Sword & Buckler: Hanger

This hanger is another counter to 1st ward, again I only use it to get close enough to thrust.

This hanger is another counter to 1st ward

In this sequence he tries to enter with his own hanger and thrust under the sword; all I have to do is move further to his right to hit him with my own stab.

I move to his right

Here I show to be aware of what’s coming next.

Be aware of what’s coming next.

Showing a bind down and re-entry after that.

Showing a bind down and re-entry after that.

Re-entry

In this lot he tries to either cut to my exposed head or to bind on my sword.

I stay in the bind,

I stay in the bind

shield knock,

Shield Knock

grapple and counter…JOY…

Joy!

Sword & Buckler: Half Shield

Nick in first ward (like he’s drawing the sword) me in half shield, I’m circling to his right as I advance to try and blind-side him.

Nick in first ward

In this instance he doesn’t react in time so I stab him…Hah.

I stab him!

This time, as I am in 1st ward and enter with a cut to the hand.

A cut to the hand.

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In the following I try the hand cut…

I try the hand cut

as nick prevents this with the bind,

Nick prevents the hand cut with the bind

I (moving back as he moves forward) change at the sword (note the way my buckler is under my sword hand; this should prevent it getting trapped and allow me to grapple should he carry on with the shield knock)…

I charge the sword

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and enter with a counter.

…and enter with a counter.

Edge vs. Flat: The Pedants Revolt

The debate on edge or flat blocking; is it important? (In German swordsmanship.)

One question which remains unresolved, despite regular, sometimes heated debates and re-arisings of its ugly head is ‘what do we block with?’ Is it the flat of the blade, allowing the flexibility of the blade to dissipate the shock of the blow? Or is it the edge, allowing the strength of the blade and the alignment of the hands to absorb the blow?*

I feel personally we may have missed the point!

First, let me explain one principle set forward by S Ringeck. Our first intention when dealing with an opponent is DO NOT BLOCK. As Mr R says, ‘fence strongly, do not wait for what he may use against you’. This could be seen in several ways, we interprate it as:

  1. Fence strongly, try and hit them, you never know it could work. If not it should force
    him to move or at the very least to displace.
  2. Do not seek to follow what he does, the best way I can explain this is if you start to
    strike at his head and he strikes at your lower opening, don’t change direction and try and
    block, press your attack and hit him first.

Now it may seem strange that the first thing I say in relation to blocking is STRIKE, but therein lies the crux of the matter.

WHEN YOU DEFEND, ATTACK!

This means if you can strike him with your defense, do so. If you can’t, again use it to force him to move or displace. Then you can react accordingly.

HOW DOES THIS RELATE TO FLAT OR EDGE BLOCKING?

This intent to strike with all displacements and at all times can effect blocking quite a lot. The importance, as I see it, is not what you use to block, but rather what you use to attack, which is the edge.**

To illustrate my point I would like to use a couple of examples:

  1. Opponent strikes from their right shoulder with an oberhau, you counter with the same technique. Your first intention is to cut him on the head or through the face, in the process however you cover yourself . This should mean that you strike his blade with your true edge, whether it hits his flat or edge in the process depends on the angle of his attack.
  2. Opponent strikes an ober or unterhau from his right, you step off and strike with a krump (true or false edge). If you have the distance (or lack of) then you should first strike at the hands, if you are too far away, then strike the sword. But again STRIKE with your edge, whether or not you hit his flat or edge depends on the angle of his attack.

So what can we surmise from this? If, as above, it is a ‘he attacks/ you counter’ situation there will already be scope for a lot of variation in blade on blade positioning. If we can safely assume you are both moving, that as you try to counter, he will also try to counter that counter and so on. The possible permutations of blade on blade become ludicrous.

I would suggest in closing, that the argument of flat or edge is not a valid one, and that we’d all do better learning to cut with intent.

SO THERE!

*I do understand that this is very much a simplification of the different views expressed by many notables on the subject, but we don’t want to be here all night do we?

**Yes, I realise there is also a point, pommel, and cross guard to attack with.